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Mitchell's voice moves from dreamy and young to wise and wistful, and the song's imagery parallels those shifts, contemplating clouds and ferris wheels and ice cream castles while also acknowledging the ways in which life and love devastate and humble us daily

he claimed that he "only hit her in self defense." [151] Although Sidney Luft was Garland's manager for much of her career throughout the 1950s and early 1960s, they eventually parted ways professionally when she signed with agents Freddie Fields and David Begelman

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DWayne found solace in the band dynamic that hed found so much joy in especially with Raphael and Timothy